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If you like to play in Logic Pro X, one of the most important things you can do is know how to autotune!

Are your vocal performances coming out a little pitchy? Struggling to hit that high note? Maybe you captured the ultimate performance with loads of soul and feeling, but it’s not quite fitting in the mix due to some slight pitch issues.

Oct 28, 2007  AutoTune in a Major scale, such as C Major Settings In Automatic Detection Mode C Major Retune-0 (You may want to tweak this a bit) Tracking-67 Vibrato Section: All zeros but for Amplitude-30 Formant-100 Pitch knob can be tweaked Voice input type: Alto-Tenor You can use extreme setting with Formant and Amplitude. May 06, 2018  Auto-Tune serves as the Pitch recorder and corrector highly used during music recording and live music performances. Fabricated by Antares Audio Technologies, Auto-tune launched for the first time in 1997. With Auto-tune the fluctuating pitches and the lousy note of the singers while performing in the live music concerts is not a problem anymore. Home of the Auto-Tune plug-in, the music industry standard for pitch correction and vocal effects. Shop and learn about the best plug-ins for pitch correction, vocal effects, voice processing, and noise reduction. Auto-Tune Pro, Auto-Tune Artist, Auto-Tune EFX+, Auto-Tune. Auto-Tune Pro is used daily by thousands of audio professionals around the world to save studio and editing time, ease the frustration of endless retakes, and save that otherwise perfect performance. And when it comes to achieving a certain well-known vocal effect, nothing compares to the real thing. Discover, download and learn how to use the most popular free and paid vst plugins on Splice. The use of Auto-Tune as a vocal effect was bolstered in the late 2000s by hip hop/R&B recording artist T-Pain who elaborated on the effect and made active use of Auto-Tune in his songs. He cites new jack swing producer Teddy Riley and funk artist Roger Troutman 's use of the Talk Box as inspirations for his own use of Auto-Tune.

Or, maybe you just want to be the next T-Pain, and apply some crazy pitch effects to your vocal recordings.

Whatever the case, learning how to auto-tune in Logic Pro X is not only easy, but will become an invaluable tool in perfecting your vocal recordings, and taking your production to the next level!

Let’s continue these logic pro tutorials with an expose on Auto-tune!

What Is Auto-tune?

The T-Pain Effect it is compatible with popular music hosts like GarageBand, Logic, Pro Tools, SONAR, and many more. You may want to check out more software, such as Effective Notes Free, Effective Organizer Free or Effective Organizer Professional, which might be related to The T-Pain Effect.

There is much to say about them, but I will not cover this topic here.The free VST plugins archive at FLStudioMusic features a big selection of music production software tools. You find here hundreds of effect processors, such as, and more.

Technically speaking, Auto-Tune is a piece of software created by Antares, but the effect has become so popularised in mainstream music that the name has kind of stuck. Typically, when producers, artists or listeners use the term auto tune, what they are talking about is pitch correction.

This step is best performed after you have added some plugins to your other tracks, and have started getting the song whipped into shape!

Pitch correction is a program or plugin used to correct off notes in vocals. Depending on the software, this can be done automatically or manually. You’ll learn about some different options for using in auto tune in Logic soon.

It can also be used as a creative effect, such is the case in a lot of modern hip-hop and RnB music, often dubbed the “T-Pain effect”.

After you get the auto-tune nailed, you will be ready to go on and mix your tracks in Logic Pro X!

Alright. Let’s get started…

When And Why To Use Auto-tune

This might seem obvious, but there are actually a few reasons you might want to use auto tune.

To Fix An Out Of Tune Vocal Recording

Probably the most common use for auto-tune is to correct any off notes in a vocal performance. It may seem like cheating to some, but actually this is an incredibly common technique.

Just about every singer you hear on record these days (especially in pop music) has some form of pitch correction applied, and we’ve become so adapted to hearing perfectly sung melodies that it can even sound strange hearing an unprocessed vocalist!

To Create A Specific Vocal Effect

Popular in modern hip-hop and RnB, heavily autotuned vocals have become a regular feature used by rappers and vocalists in these genres.

Popularised by T-Pain in the early 2000s, the sound is often referred to as the “T-Pain Effect”, so much so that iZotope has released a pitch correction tool that is literally called The T-Pain Effect.

The goal here is to apply auto tune to a vocal performance that is far out of pitch (or even monotonous), with the parameters at such extreme settings that the effects of the pitch correction plug-in are exceedingly obvious. You’ll learn just how to do this very soon as well.

To Create A Vocal Harmony

A little known use for pitch correction is to take the original vocal recording (which may already have had auto tune applied), and create a vocal harmony by changing the pitch of each note sung.

This achieves an effect that is not anywhere near as natural as a sung harmony, but natural isn’t always what we are going for!

Use Auto Tune To Level Up Your Music Production Skills

Given the wide variety of situations that pitch correction can be applied to, you can see why it’s an extremely vital skill to master.

Not only will you be able to fix bung notes (or seemingly unsalvageable performances) to deliver a higher quality end result, but you’ll also be able to apply the effect more creatively to diversify the sound of your audio productions, and bang out tunes that sound just like your favourite artists!

Does Logic Pro X Have Pitch Correction?

This is why we love Logic Pro X, and why you should too: the suite of audio processing tools that come with the program as standard cover all the bases, and they are extremely effective. (That means yes, yes it does).

There are actually a couple of different tools in Logic Pro that you can use for vocal pitch correction, depending on your desired outcome.

How Do You Autotune Vocals In Logic?

• Pitch Correction Tool – An intuitive and simple way to bring vocals in-tune
• Flex Pitch – A slightly more manual approach that gives you the ability to fine-tune a performance
• External plug-ins (such as The T-Pain Effect, or Antares Auto-Tune)

We’re going to focus on using the first two options in Logic Pro X, and how you can get using auto-tune to create pro level tracks.

Pitch Correction Plug-In

Step 1:

On the desired audio track, head over to the left hand side and click on a free Audio FX slot. You’ll find Logic’s Pitch Correction plug-in under ‘Pitch’ – funny that.

Step 2:

The plug-in GUI is admittedly a little dated, and kind of looks like something out of Star Trek: The Next Generation, but it does the trick. Rather well in fact.

The first thing you’ll want to do is the key/scale by using the Root and Scale drop down menus.

Step 3:

You’ll then want to select Normal or Low depending on the range of the sources. As a general rule, select Normal for female vocals and Low for male vocals.

But have a play around with the two options and see what sounds best to you!

Step 4:
Now play the track back, and use the Response and Detune sliders to achieve the perfect auto tune effect.

Response is a time based control, the lower the time, the faster the plug-in will react to incorrect pitches, and therefore the more noticeable the effect will be. Too fast, and the effect will be a robotic vocal sound.

Too slow, and Logic may miss some fleeting out of tune notes. Season to taste.

Detune should be adjusted if the track is consistently below or above the the centre of the bottom display. Again, adjust til you find the sweet spot.

Flex Pitch

Flex Pitch is a tool in Logic Pro X that allows you to adjust the pitch of a vocal performance note by note. That means you can select individual off notes to correct, rather than applying an effect over an entire track. This is a great idea if you are trying to get a more natural tone overall.

Step 1:

You’ll want to start by hitting the flex button in the edit window (Command+F).

Step 2:

From the drop down menu, select Flex Pitch. It might take a couple of seconds to initialize.

Step 3:

Zoom in on the vocal track, and you’ll see that Logic Pro has added some little blue boxes to the audio recording. These denote the pitch of each note.

Step 4:

From here, you can literally drag each of the blue boxes in your audio region to the desired pitch!

How Do I Record Auto Tune In Logic Pro X?

The Pitch Correction plug-in in Logic Pro can be used in realtime, if you have a need to auto-tune vocals on the way in.

Unfortunately the Flex Pitch function is a more manual approach, so if you like using correction on the way in, and Logic’s in built tool isn’t doing the trick, try some of these third-party plugins and see if they get you where you want to be.

• Antares Auto-Tune
• iZotope The T-Pain Effect
• Waves Tune
• Celemony Melodyne

Antares Auto Tune T Pain Settings

Conclusion

So, now you’ve learned how to use Logic’s Pitch Correction tool to automatically alter a vocal performance, and the Flex Pitch function for a more manual, fine-tuned approach.

Now it’s up to you, get experimenting and start auto-tuning some vocal tracks!

What I find most fascinating about Antares Auto-Tune is that everyone and their mother knows what it is, despite the fact that it's just another digital audio plugin used in bedroom and professional studios alike. Even people who have no clue what an EQ or compressor does somehow at least know of the word 'Auto-Tune' and even the general effect it has on the human voice.

But even though Auto-Tune has evolved to become this cultural phenomenon, very few artists or producers truly understand how to get it to sound like the way it sounds on major records.

In case you don't know what it is, Auto-Tune, in a nutshell, is a pitch correction software that allows the user to set the key signature of the song so that the pitch of the incoming signal will be corrected to the closest note in that key (and does so in real time). There are other pitch correction programs out there that do similar functions: Waves Tune, Waves Tune Real-Time, and Melodyne (which is pitch correction, but not in real time), but Auto-Tune seems to have won the standard for real-time pitch correction.

Auto-Tune traditionally is used on vocals, although in some cases can be used on certain instruments. For the sake of this article we will be discussing Auto-Tune and its effect on the human voice. Listen to this early example from the 'King of Auto-Tune,' the one artist who did more to popularize its effect than any other, T-Pain.

Working as a full-time engineer here at Studio 11 in Chicago, we deal with Auto-Tune on a daily basis. Whether it's people requesting that we put it on their voice, something we do naturally to correct pitch, or even for a specific creative effect. It's just a part of our arsenal that we use everyday, so over the years we have really gotten to know the ins and outs of the program—from its benefits to limitations.

So let's delve further into what this software really is and can do, and in the process debunk certain myths around what the public or people who are new to Auto-Tune may think. If you were ever wondering why your Auto-Tune at home doesn't sound like the Auto-Tune you hear from your favorite artists, this is the article for you.

To set the record straight, as I do get asked this a lot of times from clients and inquiring home producers, there really are no different 'types' of Auto-Tune. Antares makes many different versions of Auto-Tune—Auto-Tune EFX, Auto-Tune Live, and Auto-Tune Pro—that have various options and different interfaces, but any of those can give you the effect you're after. Auto-Tune Pro does have a lot of cool features and updates, but you don't need 'Pro' to sound pro.

I wanted to debunk this first, as some people come to me asking about the 'the Lil Durk Auto-Tune,' or perhaps that classic 'T-Pain Auto-Tune.' That effect is made from the same plugin—the outcome of the sound that you hear depends on how you set the settings within the program and the pitch of the incoming signal.

So if your Auto-Tune at home sounds different from what you hear on the radio, it's because of these factors, not because they have a magic version of Auto-Tune that works better than yours at home. You can achieve the exact same results.

T Pain Auto Tune Antares 2

In modern music Auto-Tune is really used with two different intentions. The first is to use it as a tool in a transparent manner, to correct someone's pitch. In this situation, the artist doesn't want to hear the effect work, they just want to hit the right notes. The second intent is to use it as an audible effect for the robotic vocals you can now hear all over the pop and rap charts.

But regardless of the intent, in order for Auto-Tune to sound its best, there are three main things that need to be set correctly.

1. The correct key of the song. This is the most important part of the process and honestly where most people fail. Bedroom producers, and even some engineers at professional studios who might lack certain music theory fundamentals, have all fallen into the trap of setting Auto-Tune in the wrong key. If a song is in C major, it will not work in D major, E major, etc.—though it will work in C major's relative minor, A minor. No other key will work correctly. It helps to educate yourself a bit about music theory, and how to find the key of a song.

2. The input type. You have the option to choose from Bass Instrument, Instrument, Low Male, Alto/Tenor, and Soprano. Bass Instrument and Instrument are, of course, for instruments, so ignore them if you're going for a vocal effect. Low Male would be selected if the singer is singing in a very low octave (think Barry White). Alto/Tenor will be for the most common vocal ranges, and soprano is for very high-pitched vocalists. Setting the input type correctly helps Auto-Tune narrow down which octaves it will focus on—and you'll get a more accurate result.

3. Retune speed. This knob, while important, is really all dependent on the pitch of the input source, which I will discuss next. Generally speaking, the higher the knob, the faster it will tune each note. A lower speed will have the effect be a bit more relaxed, letting some natural vibrato through without affecting a vocalist's pitch as quickly. Some view it as a 'amount of Auto-Tune knob,' which isn't technically true. The amount of correction you hear is based off the original pitch, but you will hear more effects of the Auto-Tune the faster it's set.

So let's say you have all of these set correctly. You have the right key, you choose the right range for the singer, and the retune speed is at its medium default of 20ms. You apply it on the singer expecting it to come out just like the pros. And while their voice does seem to be somewhat corrected, it's still not quite corrected to the right pitch.

Here's why your Auto-Tune doesn't sound like the pros:

The pitch of the vocalist prior to Auto-Tune processing must be close enough to a note in the scale of the key of the song for Auto-Tune to work its best. In other words, the singer has to be at least near the right note for it to sound pleasing to the ears.

Whether you're going for a natural correction or the T-Pain warble, this point still stands. If the note the singer originally sings is nowhere near the correct note in the key, Auto-Tune will try to calculate as best it can and round up or down, depending on what note is closest. And that's when you get undesirable artifacts and hear notes you weren't expecting to hear. (Here is an example of how it sounds when the incoming pitch isn't close enough to the scale, resulting in an oddly corrected pitch.)

Antares Auto Tune Pro Free

So if you put Auto-Tune on a voice and some areas sound good, some sound too robotic and a bit off, those are the areas that the singer needs to work on. Sometimes it can be difficult for non-singers to hear slight sharp or flat notes, or notes that aren't in the scale of the song, so Auto-Tune in many cases can actually help point out the problem areas.

This is why major artists who use Auto-Tune sound really good, because chances are they can sing pretty well before Auto-Tune is even applied. The Weeknd is a great example of this—he is obviously a very talented singer that has no problem hitting notes—and yet his go-to mixer, Illangelo, has said before that he always uses at least a little bit of Auto-Tune on the vocals.

Antares Auto Tune Website

If you or the singer in your studio is no Weeknd, you can correct the pitch manually beforehand with a program like Melodyne, or even with built-in pitch correction tools in your DAW, where you can actually go in and change the pitch of each syllable manually. So if you find yourself in a situation where you or an artist you are working with really want Auto-Tune on their vocals, but it's not sounding right after following all the steps, look into correcting the pitch before you run it through Auto-Tune.

If you get the notes closer to the scale, you'll find the tuning of Auto-Tune to be much more pleasing to the ears. For good reason, T-Pain is brought up a lot when discussing Auto-Tune. Do you want to know why he sounds so good? It's not a special Auto-Tune they are using, its because he can really sing without it. Check it out:

Hopefully this helps further assist you in your understanding and use of Antares Auto-Tune, and debunk some of the myths around it. Spend some time learning some basic music theory to help train the ear to identity keys of songs, find which notes are flat and which notes are sharp. Once you do, you'll find you'll want to use Auto-Tune on every song, because let's face it—nearly a decade after Jay-Z declared the death of Auto-Tune on 'D.O.A.'—it still sounds cool.

T Pain Auto Tune Antares Reviews

Antares Auto Tune Live

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